Alla PANNINI, Giovanni Paolo s Oljemålningar


Vilja ID Bild  Oljemålningar Från A to Z       Information 
8442 Apostle Paul Preaching on the Ruins af  Apostle Paul Preaching on the Ruins af   1744 Oil on canvas, 64 x 83,5 cm The Hermitage, St. Petersburg
30619 Interior of Saint Peter's  Interior of Saint Peter's   mk68 Oil on canvas Venice. Ca'Rezzonico Museum 175 Italy
63837 Interior of the San Giovanni in Laterano in Rome  Interior of the San Giovanni in Laterano in Rome   Oil on canvas, 74 x 100 cm Pushkin Museum, MoscowArtist:PANNINI, Giovanni Paolo Title: Interior of the San Giovanni in Laterano in Rome Painted in 1701-1750 , Italian - - painting : interior
8441 Musical Fete  Musical Fete   1747 Oil on canvas, 207 x 247 cm Mus??e du Louvre, Paris
8443 Roma Antica af  Roma Antica af   c. 1755 Oil on canvas, 186 x 227 cam Staatsgalerie, Stuttgart
8440 The Piazza and Church of Santa Maria Maggiore ch  The Piazza and Church of Santa Maria Maggiore ch   1744 Oil on canvas Palazzo Quirinale, Rome

PANNINI, Giovanni Paolo
Italian Neoclassical Painter, ca.1691-1765 was an Italian painter and architect, mainly known as one of the vedutisti or (veduta, or "view painters"). As a young man, Pannini trained in his native town of Piacenza as a stage designer. In 1711, he moved to Rome, where he studied drawing with Benedetto Luti and became famous as a decorator of palaces, including the Villa Patrizi (1718C1725) and the Palazzo de Carolis (1720). As a painter, Pannini is best known for his vistas of Rome, in which he took a particular interest in the city's antiquities. Among his most famous works are the interior of the Pantheon, and his vedute paintings of picture galleries containing views of Rome. Most of his works, specially those of ruins have a substantial fanciful and unreal embellishment characteristic of capriccio themes. In 1719, Pannini was admitted to the Congregazione dei Virtuosi al Pantheon. He taught in Rome at the Accademia di San Luca and the Academie de France, where he influenced Jean-Honore Fragonard. His studio included Hubert Robert and his son Francesco Panini. His style would influence a number of other vedutisti, such as his pupil Antonio Joli, as well as Canaletto and Bernardo Bellotto,



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